a. natasha joukovsky
extracts blog
After Herman Melville’s Moby Dick, where he tracks allusions to whales and cetology, I keep a running list of references to recursion, innovation, mythology, and glamour.
Ed Ruscha | LOS ANGELES COUNTY MUSEUM OF ART ON FIRE + Steve Martin | AN OBJECT OF BEAUTY
Los Angeles County Museum on Fire, Ed Ruscha, 1968. 53.5 x 133.5 in.
“In the Hirschhorn, she sped along with the same gallop as at the National Gallery, racing by masterpieces with her head swiveling. One picture, however, stuck her feet in cement. Painted in 1967, Ed Ruscha’s large canvas depicted the Los Angeles County Museum on fire. Devoid of people on the grounds, the museum was shown in cool tones and sharp outline, while flames blew out from behind the building. The picture was so unlike the slash-and-burn canvases of the abstract pictures she had just seen. Those pictures asked for an emotional response. This one asked for an intellectual response. Was this a tragic image or a surreal one? The horror going on inside was unrevealed and only imagined. And where were the people? Then, as she waited in front of the picture for a thought to congeal, Lacey’s mental gears cranked down, the questions stopped, and for a moment, her brain stopped churning and she just stared at it.”
Steve Martin | AN OBJECT OF BEAUTY
“One artist with the pseudonym (it was natural to assume) of Pilot Mouse had taken over a gallery and installed . . . another gallery. We viewers went in one at a time, and inside was a simulation of an uptown gallery, complete with gallery goers—really guerrilla actors—who walked around and looked at the antique store paintings on the wall.”