a. natasha joukovsky

extracts blog

After Herman Melville’s Moby Dick, where he tracks allusions to whales and cetology, I keep a running list of references to recursion, innovation, mythology, and glamour.

 
recursion Natasha Joukovsky recursion Natasha Joukovsky

Ian McEwan | ATONEMENT

"She had come to see that, without intending to, [the letter] delivered a significant personal indictment. Might she come between them in some disastrous fashion? Yes, indeed..."

She had come to see that, without intending to, [the letter] delivered a significant personal indictment. Might she come between them in some disastrous fashion? Yes, indeed. And having done so, might she obscure the face by concocting a slight, barely clever fiction and satisfy her vanity by sending it off to a magazine? The interminable pages about light and stone and water, a narrative split between three different points of view, the hovering stillness of nothing much seeming to happen—none of this could conceal her cowardice. Did she really think she could hide behind some borrowed notions of modern writing, and drown her guilt in a stream—three streams—of consciousness? The evasions of her little novel were exactly those of her life. Everything she did not wish to confront was also missing from her novella—and was necessary to it. What was she to do now? It was not the backbone of a story that she lacked. It was backbone.
— Ian McEwan | ATONEMENT
Read More